When making a sculpture, the first thing I consider is the environment in which it will live. My sculptures often highlight overlooked details in infrastructure, drawing attention to the hidden systems that sustain daily lives—like networks of pipes carrying heat and water. These utilities, typically concealed behind walls or underground, are crucial to modern existence. I seek to celebrate their overlooked beauty and utility. Clay, in particular, connects the natural world to the built environment, especially in a city like Chicago, built from bricks. Through my work, I explore the passage of time, the evolution of materials, forgotten significance of once-essential elements, and ultimately question the definition of ‘progress’ and ‘obsolescence’.
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Born Chicago, IL 1996
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